Current Work ↓
![]()
↑ Detroit-rooted body of work spanning more than 150 released and unreleased recordings across acid, ambient, electronic, and guitar-driven compositions. ¹Emerging from earlier guitar-forward releases such as Axis and Dangit Diane and evolving into the more spatial, EDM-leaning environments of Nowhere/Everywhere and Frontier Sessions, the project resists strict genre classification in favor of mood-based sequencing and cinematic structure. ²Characterized by precise rhythmic frameworks, textural layering, and a tension between analog expressiveness and digital architecture, the catalogue functions as a modular archive rather than a traditional discography. ³Recurring themes include liminality, frontier expansion, and emotional cartography, with each track operating as a vignette within a larger, continuously expanding system. ⁴Collectively, the work reflects a sustained exploration of atmosphere, momentum, and interior states, often described by the artist as “cinematic acid.”
♫ View Catalogue
♫ View Catalogue
Photo Diary (2006–2016)
✦ Black-and-white photographs produced over five years while based in New York and traveling across the United States and abroad. The archive examines structure, light, and atmosphere across urban and peripheral environments.
Informed by architectural training and imaging studies, the work approaches the built world analytically, privileging geometry, surface, negative space, and spatial rhythm. Monochrome functions as a formal constraint, reducing visual excess and intensifying compositional relationships.
↓ Below, two works selected at random from the archive.
↓ Below, two works selected at random from the archive.
✻ Identity Systems
Most brands mistake recognition for identity. Recognition is repetition. Identity is behavior. A mark can repeat endlessly and still say very little. A system, however, accumulates meaning every time it appears.
The most interesting identities behave less like logos and more like editorial voices. They can whisper, argue, contradict themselves, and still remain unmistakable.
Design, in this sense, is not the construction of a symbol. It is the construction of a language.
The most interesting identities behave less like logos and more like editorial voices. They can whisper, argue, contradict themselves, and still remain unmistakable.
Design, in this sense, is not the construction of a symbol. It is the construction of a language.
Brand carrier.
↓ Hierarchy matters. Design is not decoration. It’s decisions. Weight, spacing, contrast — the quiet agreements that tell the eye where to go first and where to rest. Good structure doesn’t shout. It simply makes everything else obvious.
