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↑ Detroit-rooted body of work spanning more than 150 released and unreleased recordings across acid, ambient, electronic, and guitar-driven compositions. ¹Emerging from earlier guitar-forward releases such as Axis and Dangit Diane and evolving into the more spatial, EDM-leaning environments of Nowhere/Everywhere and Frontier Sessions, the project resists strict genre classification in favor of mood-based sequencing and cinematic structure. ²Characterized by precise rhythmic frameworks, textural layering, and a tension between analog expressiveness and digital architecture, the catalogue functions as a modular archive rather than a traditional discography. ³Recurring themes include liminality, frontier expansion, and emotional cartography, with each track operating as a vignette within a larger, continuously expanding system. ⁴Collectively, the work reflects a sustained exploration of atmosphere, momentum, and interior states, often described by the artist as “cinematic acid.”

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✦ Objet








Objects are the simplest way to test an idea. Not drawings, not language. Just weight, surface, proportion.

Each piece begins as a small question about structure or use. Sometimes the answer becomes a tool. Sometimes it becomes a sculpture. Occasionally it becomes both.

They are not products.

They are proofs.

✦ Black-and-white photographs produced over five years while based in New York and traveling across the United States and abroad. The archive examines structure, light, and atmosphere across urban and peripheral environments.

Informed by architectural training and imaging studies, the work approaches the built world analytically, privileging geometry, surface, negative space, and spatial rhythm. Monochrome functions as a formal constraint, reducing visual excess and intensifying compositional relationships.




↓ Below, two works selected at random from the archive.